From surface to subsurface: Integrating imaging techniques and laser profilometry in artworks study
DOI:
https://doi.org/10.21014/actaimeko.v15i3.2107Keywords:
profilometry, infrared reflectography, surface analysis, artworks, cultural heritage, conservation science, principal component analysis, multivariate analysisAbstract
This study aims to present the results obtained from the profilometric and reflectographic analyses of the painting on panel L’Ebbrezza di Noè, attributed to Antonio Bazzi (known as Il Sodoma), preserved at the Galleria Nazionale di Arte Antica in Palazzo Barberini (Rome, Italy). Utilizing an advanced integrated scanning system, we employed a high-resolution laser profilometer with a 405 nm laser line, a lateral resolution of 12.5 µm and a height resolution of 1.6 µm, along with a SWIR uncooled camera equipped with an InGaAs detector with a resolution of 320 × 256 pixels, operating within a spectral range from 900 to 1700 nm, to scan and analyze the artwork. By selecting significant details, we highlighted the potential of a multi-instrument approach in accurately interpreting the complex information revealed through diagnostic imaging of artworks. Specifically, profilometric images were compared with infrared and false-color images to determine whether hidden features beneath the paint layers can be detected through surface topography.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Giulia Iorio, Chiara Merucci, Valerio Graziani, Andrea Fabbri, Paolo Branchini, Luca Tortora

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under the CC BY 4.0, Creative Commons Attribution 4.0 International License.
Users are free to
- share, i.e. copy and redistribute the material in any medium or format for any purpose, even commercially;
- adapt, i.e. remix, transform, and build upon the material for any purpose, even commercially.
At the same time, the user must give appropriate credit, provide a link to the license, and indicate if changes were made.
Additional information about the license can be found at: https://creativecommons.org/licenses/by/4.0/.
Authors are
- able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).