Vibroacoustic characterization of a chamber music concert room in the context of the urban texture
DOI:
https://doi.org/10.21014/actaimeko.v13i2.1781Keywords:
vibro-acoustics, cultural heritage, applied physics, metrological procedure, physical modellingAbstract
The integrated interpretation of the tangible and intangible dimensions of cultural heritage assets is challenging, since much of the required information is often lost or difficult to find. In particular, when coming to the functional planning of historic spaces or archaeological sites, documental or archival sources are scarce or even absent. Consequently, to support the interpretation of these functional design and planning elements, which are related to the life of communities that inhabited those areas, quantitative methods, such as a physical characterization of site-specific environmental variables, may assume a great relevance, like in the case of the vibro-acoustic properties conceived for specific uses or performances, as theatres, cathedrals or other public spaces. With this goal in mind, we have started a pilot experimental activity, aiming at characterizing the vibroacoustic fingerprint, i.e. the vibro-acoustic site-specific features, of a historic building private chamber music concert room, located in the centre of Napoli (South Italy). This work, based on the integration of different sensors and modelling tools, has allowed to observe the site-specific vibroacoustic features not only in relation to the geometric features of the space, but also in relation to the surrounding urban landscape morphology. Consequently, the results have evidenced the presence of a site-specific vibroacoustic fingerprint, related to how the structure and the surrounding urban morphology were planned. The applied integration of a unifying model, previously validated in the literature, and of broadband vibroacoustic measures, has allowed to evidence some quantitative elements, that, characterizing the interaction between spaces and the people living them, constitute a possible basis for interpreting the heritage intangible components (design according to functional and/or symbolic purposes) in relation to different structural urbanistic and architectural elements (tangible heritage).
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Fabrizio Barone, Marco Casazza
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).