X-ray fluorescence and µ-Raman analysis of bronze sculptures by Giuseppe Renda
DOI:
https://doi.org/10.21014/actaimeko.v13i2.1734Abstract
In this work, the elemental and molecular composition of three different bronze sculptures by Giuseppe Renda (one of the most famous interpreters of the Neapolitan Verism in the 19th and 20th centuries), respectively named “La Fortuna”, “Scugnizzo” and “Non mi toccare”, was performed, for the first time and in a completely non-invasive way, through a combined approach involving portable X-ray fluorescence (XRF) and µ-Raman techniques.
The analysis of the investigated artefacts was aimed at improving the knowledge of the Southern Italy bronze art of the second half of the 20th century, also in order to support the definition of optimized conservation strategies to be used by restorers in view of planning best restoration/cleaning interventions to minimize the conservation problems that could affect the durability of the precious artefacts.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Francesco Caridi, Giuseppe Paladini, Pasquale Faenza, Vincenza Crupi, Domenico Majolino, Valentina Venuti

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under the CC BY 4.0, Creative Commons Attribution 4.0 International License.
Users are free to
- share, i.e. copy and redistribute the material in any medium or format for any purpose, even commercially;
- adapt, i.e. remix, transform, and build upon the material for any purpose, even commercially.
At the same time, the user must give appropriate credit, provide a link to the license, and indicate if changes were made.
Additional information about the license can be found at: https://creativecommons.org/licenses/by/4.0/.
Authors are
- able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).